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Ruby Griffith Critique Ruby Griffith Winner for Best Musical in 2000-2001 Direction This was a very tight, slick production with many professional touches. Director, Jack B. Stein did an excellent job of casting, especially in selecting performers who could sing, dance and act so well. Blocking and pacing were superb. It was a good idea to extend the apron of the stage over the orchestra pit to give more room for the dancing. The slides shown at the beginning of the show were a nice touch. But those shown in the second Act slowed, down the momentum of the performance quite considerably. Perhaps. Victoria needed this time for a costume change? Incidentally the costume changes were very fast throughout the show - and there were many of them. Character development was clear and interaction between the actors was generally good, but perhaps Stein could have inspired more chemistry between King Marchan and Victoria- It was obvious that a lot of attention had gone into the details of this show, particularly in coordinating the costumes, the set, lighting, sound and choreography. It was a shame, however, that Mr. Stein permitted a dim and claustrophobic lighting design to darken what should have been the brightest and funniest part of the show - the bedroom scenes. Particular mention should be made of the finale of the production which was very effective and well executed. Overall this was a very enjoyable show and obviously extremely well rehearsed. Acting The standard of acting was very high, and particularly for a musical where so often acting talent is sacrificed for vocal ability. Allison Kennedy as Victor/Victoria was just ideal for the part. She had tremendous stage presence, moved extremely well, could sing and dance besides act. Her transitions from woman to mar4 and back to woman were wonderful and her body language ably conveyed the transitions. Very good comic timing also when necessary. She was able to explore the high and low emotional levels of her character with ease. Her interaction with other players was superb, and she had the ability to put them at their ease so comfortable was she in her role. Christopher Furry as Toddy was a delight, charming, roguish, and thoroughly convincing as the gay hustler. He, Eke Victoria, became emerged in the character he was portraying. His body movements effeminate - were marvelous, not overdone but enough to be very funny. He had excellent timing - moved well and good diction. Heather Whitney as Norma was wonderful. Her dead-on bimbo accent, along with superb singing and acting nearly stole the entire show. Whenever she was on stage it was she who was completely in charge. A fine performance. |